Raw & Log Video Production Workflows

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Free Online Course: Raw & Log Video Production Workflows provided by LinkedIn Learning is a comprehensive online course, which lasts for 4-5 hours worth of material. The course is taught in English and is free of charge. Upon completion of the course, you can receive an e-certificate from LinkedIn Learning. Raw & Log Video Production Workflows is taught by Richard Harrington and Robbie Carman.

Overview
  • Learn how to shoot log or raw video to take advantage of adjustment options in post-production. Find out how to work with these files in Premiere, Final Cut, and DaVinci Resolve.

Syllabus
  • Introduction

    • Meet your instructors
    • What you should know before watching this course
    • Using the exercise files
    1. An Evolution in Acquisition
    • Log and raw vs. regular video
    • What is log recording?
    • Understanding different flavors of log
    • Beware of fake log
    • What is raw video recording?
    • Can I record video in both log and raw?
    2. Related Terms to Understand
    • What is a lookup table (LUT)?
    • What is bit depth?
    • What is dynamic range?
    • What impact does compression have on recording?
    3. Key Recording Options for Acquisition of Raw and Log
    • Recording video in-camera or with an external recorder
    • Choosing the correct media type for recording
    • Recording with a reference chart and slate information
    4. Monitoring Log
    • Applying a preview LUT in camera
    • Applying a LUT in monitor
    • Applying an Input LUT in your NLE
    • The role of a DIT on a professional set
    5. Typical Camera Workflows
    • Sony recording workflow
    • Canon recording workflow
    • Blackmagic recording workflow
    • Panasonic workflow
    6. Getting Ready for Post
    • Working native or transcoded
    • Storage requirements
    • Lookup table workflows
    • Raw development strategies
    7. Adobe Premiere Pro CC and After Effects CC Workflows
    • Ingesting raw and log material in Premiere Pro
    • Creating proxy files in Premiere Pro
    • Applying and adjusting Input LUTs in Premiere Pro
    • Adjusting source settings on raw files
    • An overview of adjusting color and exposure in Premiere Pro
    • Moving raw and log material to After Effects
    • Applying a LUT in After Effects
    8. Final Cut Pro X Workflow
    • Ingesting raw and log material in Final Cut Pro X
    • Creating proxy files in Final Cut Pro X
    • Applying and adjusting input LUTs in Final Cut Pro X
    • An overview of adjusting color and exposure in Final Cut Pro X
    9. DaVinci Resolve Workflow
    • Ingesting footage and using Resolve Color Management
    • Creating optimized media files in Resolve
    • Applying and adjusting LUTs in Resolve
    • An overview of adjusting color and exposure in Resolve
    10. Managing and Manipulating Lookup Tables
    • Importing and exporting a LUT in Premiere Pro
    • Importing and exporting a LUT in Final Cut Pro X
    • Importing and exporting a LUT in Resolve
    • Manipulating LUTs with Lattice
    Conclusion
    • Next steps