DSLR Video Tips: Software

Introduction

• Welcome

• How do I import into Premiere Pro?
• Transferring from a card into Premiere Pro
• Importing footage into Premiere Pro

• Processing multiple-camera footage
• Organizing the media for Adobe Premiere Pro
• Syncing in Adobe Premiere Pro
• Editing in Adobe Premiere Pro

• Achieving a film look
• Post-processing to achieve a film look: Part 1
• Post-processing to achieve a film look: Part 2

• How do I import into Final Cut Pro X?
• Transferring from a card into Final Cut Pro X
• Importing footage into Final Cut Pro X

• Processing multiple-camera footage
• Organizing and syncing media for Final Cut Pro X
• Editing in Final Cut Pro X

• Achieving a film look
• Post-processing to achieve a film look: Part one
• Post-processing to achieve a film look: Part two

• Taking a look at third-party plugins
• Exploring Tiffen Dfx filter plugins
• Boosting creativity with Tiffen Dfx looks
• Exploring the Magic Bullet Suite
• Taking your footage further with Magic Bullet Looks

• Achieving a film look in DaVinci Resolve
• Using Resolve presets
• Color grading from scratch

• Achieving a filmic look
• Using SpeedGrade presets
• Color grading from scratch

• Why assemble a time lapse?
• Assembling a time lapse in Photoshop
• Assembling a time lapse in Premiere Pro
• Assembling a time lapse in After Effects

• Taking a look at shaky footage
• Fixing shaky footage in Final Cut Pro X
• Fixing shaky footage in Premiere Pro

• A quick overview of site surveys
• Anticipating the weather
• Taking panoramic site photos with Occipital 360 Panorama
• Collecting location information with PANASCOUT
• Portable and mobile pro audio to go

• Scouting the lighting situation on location
• Using LightTrac to determine sun or moon position
• Using Sun Seeker to track sun or moon position
• Determining the position of the sun or moon with Focalware