Pro Tools: Audio for Film and Video

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Free Online Course: Pro Tools: Audio for Film and Video provided by LinkedIn Learning is a comprehensive online course, which lasts for 5 hours worth of material. The course is taught in English and is free of charge. Upon completion of the course, you can receive an e-certificate from LinkedIn Learning. Pro Tools: Audio for Film and Video is taught by Scott Hirsch.

Overview
  • Create an evocative sound mix for a film or video, built from basic audio collected during the shoot and transformed into a final mix using Pro Tools 9.

Syllabus
  • Introduction

    • Welcome
    • Using the exercise files
    • Using this course with Pro Tools 10
    • Relinking audio files
    1. Getting Ready to Build Audio for Video
    • Understanding the new audio for video features in Pro Tools 9
    • Exploring the hardware requirements for Pro Tools 9
    • Understanding the audio components of a finished video
    • Understanding the audio production workflow
    2. Working with a Video Project
    • Understanding video formats, SMPTE timecode rates, NTSC, and PAL
    • Understanding video formats, codecs, and pull-up/pull-down
    • Setting up your Pro Tools session for video
    • Exporting OMF and AAF files
    3. Getting into the Audio for Video Workflow
    • Importing OMF and AAF files
    • Importing and the DigiBase browser
    • Conforming the OMF import to your template
    • Setting up groups and windows
    • Spotting film and using markers
    4. Working with Audio for Video
    • Organizing the dialog tracks
    • Optimizing the dialog in the first pass
    • Using room tone
    • Creating fades to smooth out audio edits
    • Understanding sound effects, ambiences, and backgrounds
    • Sweetening and hard effects
    • Processing tips for sound effects
    • Bringing emotion to the mix with music tracks
    • Leveraging clip-based gain in Pro Tools 10
    • Exploring AudioSuite enhancements in Pro Tools 10
    5. Recording to Picture
    • Preparing the session for foley and ADR recording
    • Recording ADR and editing with VocALign LE
    6. Learning Audio for Video Techniques
    • Noise-reducing hums, rumbles, and buzzes
    • Eliminating crackles and digital clicks
    • Taming plosives and sibilance
    • Reducing broadband noise
    • Conforming to video changes
    • Pitch shifting for effect or utility, TC expansion
    7. Mixing Audio for Video
    • Setting up for stereo mixing
    • Calibrating levels using an SPL meter
    • Mixing with automation
    • Advanced mix automation
    • Automating plug-in parameters
    • Mixing with reverb
    • Ducking techniques
    8. Working in Surround
    • Setting up a surround mix template
    • Calibrating for 5.1 surround mixing and bass management
    • Mixing and spatial techniques for 5.1 surround
    • Downmixing, encoding, and using Neyrinck plug-ins
    • Automating techniques for 5.1 surround mixes
    9. Preparing for Final Delivery
    • Print mastering and stem mixes
    • Mastering delivery levels and dynamics
    10. Backing Up and Archiving
    • Backing up your final project
    Conclusion
    • Goodbye