Mixing and Mastering with Pro Tools

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Free Online Course: Mixing and Mastering with Pro Tools provided by LinkedIn Learning is a comprehensive online course, which lasts for 9 hours worth of material. The course is taught in English and is free of charge. Upon completion of the course, you can receive an e-certificate from LinkedIn Learning. Mixing and Mastering with Pro Tools is taught by Brian Lee White.

Overview
  • Covers all the basic mixing functions in Pro Tools that every producer and engineer should know, from setting up a mixing plan to mastering a final mix.

Syllabus
  • Introduction

    • Welcome
    • The past, present, and future of mixing
    • Strategies for mixing and mastering
    • Using the exercise files
    1. Preparing to Mix
    • Mixing "in the box"
    • Setting up the studio: Speakers and acoustics
    • Staying organized: Effectively prepping the mix
    • Managing system resources during mixdown
    2. Working with the Pro Tools Mixer
    • Introducing the Pro Tools Mixer
    • Understanding mixer signal flow
    • Using inserts and plug-ins
    • Working with plug-in settings
    • Using sends and creating FX returns
    • Submixing with aux tracks
    • Using groups while mixing
    • Using master faders effectively
    3. Mixing Tools and Strategies
    • Conceptualizing the mix and making a plan
    • Using volume and pan to balance the mix
    • Knowing when to process: Mix problems vs. mix solutions
    4. Understanding and Using EQ (Equalization)
    • Understanding the mechanics of sound
    • Learning the basics of EQ: Frequency-specific level control
    • Using DigiRack EQ III
    • EQ strategies in mixing: Corrective vs. creative
    • EQ workflow example 1: Kick drum
    • EQ workflow example 2: Filtering loops
    • EQ workflow example 3: The "telephone" effect
    • Mixing tips and tricks for EQ
    5. Understanding and Using Dynamics Processors
    • Understanding dynamics and dynamic range
    • Working with dynamics processors
    • Using the DigiRack Dyn III compressor/limiter
    • Balancing and shaping track dynamics
    • Using gates and expanders
    • Using de-essers to eliminate sibilance
    • Dynamics workflow example 1: Vocals
    • Dynamics workflow example 2: Drums
    • Mixing tips and tricks: Dynamics
    • Building parallel or "upward" compression
    • Reviewing dynamics concerns: How much is too much?
    6. Mixing with Reverb, Delay, and Other Effects
    • Using time-based effects to add depth and width
    • Using DigiRack D-Verb
    • Using the DigiRack delays
    • Mixing with reverb
    • Mixing with delays
    • Mixing tips and tricks: Creating mix depth
    7. Introducing the Pro Tools Creative Collection
    • Working with the Creative Collection
    • Building distortion and saturation
    8. Automating the Mix
    • Understanding automation
    • Recording real-time automation moves
    • Viewing and editing automation
    • Automating plug-ins
    • Automation strategies for mixing
    9. Putting It All Together
    • Understanding the characteristics of a great mix
    • Working to reference tracks
    • Avoiding some common pitfalls
    • Building healthy mixing habits
    • Crafting your mix from start to finish
    10. Mastering in Pro Tools
    • Understanding mastering
    • Bouncing the mix
    • Working with general mastering strategies
    • Using limiting and compression to maximize track level
    • Working with multi-band compression
    • Understanding sample rate, bit depth, file formats, and dither
    • Using Pro Tools for CD track sequencing
    • Compressing audio for the web
    11. Reviewing Third-Party Plug-Ins
    • Tips for evaluating plug-in processors
    • Using EQ plug-ins
    • Using dynamic compression plug-ins
    • Using reverb and delay plug-ins
    • Reviewing additional plug-ins
    12. Additional Topics
    • Effectively using saturation/analog style effects
    • Setting up side chains
    • Master buss processing
    • Creating and using mix templates
    • Surround mixing
    • Dealing with plug-in delay and latency
    • Drum sample replacing
    Conclusion
    • Goodbye