Overview
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Learn the ins and outs of working with transcoded footage. Explore different workflows for Premiere Pro, Adobe Media Encoder, and Prelude and transcode any time in production.
Syllabus
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Getting Started
- Welcome
- How to get the most from this course
- Using the exercise files
- Native vs. transcoded editing in Premiere Pro
- Codecs and formats for shooting
- Log
- Raw
- Codecs and formats for editing
- Limitations of native workflows
- Pros and cons of transcoded workflows
- Factors that go into choosing a workflow
- Doing a basic transcoded workflow
- Using Prelude to transcode footage before you edit
- Understanding Adobe Media Encoder in the transcoding process
- Essential transcoding settings
- Creating a preset for transcoding
- Working with highly compressed sources
- Working with uncompressed sources
- Applying first-pass color correction with a LUT
- Benefits and possibilities of transcoding while you edit
- Examining your sequence at full quality
- Sequence settings
- Subclip transcoding
- Exchanging managed sequence or media with other video professionals
- Render and replace
- Benefits and possibilities of transcoding at the end of your edit
- Adjusting pixels and frame sizes
- Implementing watched folders for output
- Archiving projects
- Learn more
