Overview
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Learn how to create, attach, and relink low-res proxies and build proxy presets for online/offline workflows in Premiere Pro.
Syllabus
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Introduction
- Welcome
- Using the exercise files
- What are online/offline workflows?
- Reasons to use a proxy workflow
- Warning: Test your workflow or pay the consequences
- Full proxy workflow, from start to finish
- Switching from Proxy to Full Quality
- Other interface improvements for proxy workflows
- Why you want to start at ingest
- Using the Media Browser to start the ingest process
- Copy and create proxies: The heart of the full workflow
- Proxy media location suggestions
- Adjusting settings in the Project Properties
- Working with graphics, audio, alphas, and other nonproxy material
- Viewing proxy metadata
- Building proxies in the Browser
- Attaching proxies built on other systems
- Attaching full-resolution clips to a proxy-only system
- Building a custom proxy preset
- Smarter proxy presets: Adding LUTs and timecode
- Building a custom ingest preset
- Getting your preset to Premiere Pro
- Outputting a high-quality master
- Outputting a low-quality proxy
- Putting proxies on cloud storage for remote editing
- Goodbye
