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Get practical techniques for finishing the audio side of a project using Premiere Pro and Adobe Audition.
As an editor, you need to know how to mix and sweeten audio yourself, as well as hand off tracks for others to finesse. In this installment of the Premiere Pro Guru series, Luisa Winters shares practical techniques for finishing the audio side of a project using Premiere Pro and Adobe Audition. Luisa explores a variety of topics, including track vs. clip level control, mastering the audio mixers, using submixes and automation modes, and working with the Essential Sound panel. Plus, explore restorative techniques with Adobe Audition, as well as how to output audio from Premiere Pro.This course was created by Rhed Pixel. We are pleased to offer this training in our library.
Overview
Syllabus
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Introduction
- Working with audio in Premiere Pro
- What you should know before watching this course
- Using the exercise files
- Should you hand this to another artist?
- Track organization
- Exporting audio for other artists
- Exporting a video reference
- Switching between track- and clip-level control on the Timeline
- Keyframing clip properties in the Timeline
- Keyframing track properties in the Timeline
- Adjusting and smoothing keyframes
- Adding clip effects
- Overview of the Audio Clip Mixer
- Overview of the Track Mixer
- Stereo vs. 5.1 vs. multichannel output master tracks
- Automation modes in the mixers
- Using track effects
- Using submixes and bussing audio
- Audio types
- Audio levels
- Repair audio
- Audio clarity
- Duration
- Automatic ducking
- Reverberation
- Using presets
- Compression using Dynamics
- Compression using Multiband Compressor
- Limitting
- Adjusting gain
- Normalizing
- EQ
- De-esser
- Sending a clip to Adobe Audition
- Sending a sequence to Adobe Audition
- Getting a sequence back to Premiere Pro
- Fixing plosives
- Noise reduction
- Healing audio
- Speed changes
- Matching volume
- What does broadcast legal mean?
- Digital peak and true loudness
- Loudness monitoring
- Level QC
- Creating stems with submixes
- Creating stems by muting
- Setting up a multichannel output using stems
- Creating a multichannel digital output
- Goodbye
