Performing with Ableton Live: On Stage with St. Vincent

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Free Online Course: Performing with Ableton Live: On Stage with St. Vincent provided by LinkedIn Learning is a comprehensive online course, which lasts for 2-3 hours worth of material. The course is taught in English and is free of charge. Upon completion of the course, you can receive an e-certificate from LinkedIn Learning. Performing with Ableton Live: On Stage with St. Vincent is taught by Daniel Mintseris.

Overview
  • Daniel Mintseris, keyboard player and programmer for St. Vincent, shares his onstage setup, his tips for working with Ableton Live, and insights from his long musical career.

Syllabus
  • Introduction

    • Welcome
    • What you should know before watching this course
    • Using the exercise files
    1. Keyboard and Ableton Live Setup
    • Keyboard and MIDI station
    • Software overview
    • Ableton Live set layout
    2. The Basics: Click Track and Count-Off
    • Preparing to use a click
    • Creating click tracks
    • Count-off and starting pitch
    • In-ear monitors
    3. Keyboard Presets
    • Creating a song preset in an Instrument Rack
    • Switching sounds within the song preset
    • Using clip automation to switch sounds
    • Adding songs in nested Racks
    • Using a macro to conserve CPU and select song presets
    • Automating presets at song start
    4. The Drumset as a MIDI Controller
    • Drums and electronics
    • Ableton drum presets
    5. Remote Control from Ableton Live
    • Guitar stations and Moog bass
    • Changing external instrument presets
    • Program change automation with Max for Live
    6. Playback
    • When playback is necessary: Preparing audio stems
    • Importing playback audio
    7. Working with the Ableton Show File
    • Audio routing
    • Set navigation
    8. Keeping Things in Check
    • Line-check file
    • Backup system
    9. Technology and Technique
    • From humble beginnings to St. Vincent's technical brain
    • Bringing ideas to life with Ableton Live
    • Technology as an extension of musicianship
    Conclusion
    • Next steps