Learning Cinematography: 1 Narrative Fundamentals

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Free Online Course: Learning Cinematography: 1 Narrative Fundamentals provided by LinkedIn Learning is a comprehensive online course, which lasts for 2-3 hours worth of material. The course is taught in English and is free of charge. Upon completion of the course, you can receive an e-certificate from LinkedIn Learning. Learning Cinematography: 1 Narrative Fundamentals is taught by Bill Dill.

Overview
  • Learn how to shoot a motion picture and tell stories in a powerful way—from ASC cinematographer and professor Bill Dill. Part 1 covers narrative filmmaking techniques.

Syllabus
  • Introduction

    • Welcome
    • Who is this course for?
    • A brief history of motion pictures
    1. Before You Start Filming
    • Focus on narrative filmmaking
    • Pre-production planning
    • Develop a process
    • Assemble your crew
    • The actor's perspective
    2. Principles of Storytelling
    • The basics of storytelling
    • Understand the story
    • Choose your own theory of filmmaking
    • The audience's experience
    3. Composition
    • Communicate with shapes
    • The visual pattern recognition system
    • Orient the audience
    • Change a pattern for a purpose
    • Elements of composition
    • Who's driving the scene?
    4. Understanding the Camera
    • Types of digital cameras
    • Simple cameras
    • Complex cameras
    • Recording, compression, and storage
    5. Optics
    • What a lens actually does
    • Primes vs. Zooms
    • Choose a focal length
    • The components of depth of field
    • The aesthetics of depth of field
    6. Exposure
    • The seven elements of exposure
    • The speed of the camera
    • What is correct exposure?
    • Light meters
    7. Lighting
    • Picture the light in your mind
    • How much light do you need?
    • Basic lighting
    • Quality lighting
    • Lighting equipment
    • Grip equipment
    8. Camera Movement
    • Why do we move the camera?
    • How camera movement relates to story
    • How do we move the camera?
    • Blocking and lighting
    Conclusion
    • Make the best choices for your film