Overview
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Get better inkjet prints—with less frustration, fewer reprints, and less waste of paper and ink—by learning how to spot and correct problems first in Photoshop.
Syllabus
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Introduction
- Welcome
- Understanding how to use this course
- Basic adjustments for printing
- Solution: Basic adjustments for printing
- Making tonal adjustments to a black and white image
- Solution: Making tonal adjustments to a black and white image
- Exploring the aesthetics of black
- Solution: Exploring the aesthetics of black
- Improving a low-light image
- Solution: Improving a low-light image
- Working with adaptive shadows and highlights
- Solution: Working with adaptive shadows and highlights
- Editing by the numbers
- Solution: Editing by the numbers
- Managing the gray in an image
- Solution: Managing the gray in an image
- Working with gradient masks
- Solution: Working with gradient masks
- Protecting highlights and building up an image
- Solution: Protecting highlights and building up an image
- Creating a basic vignette
- Solution: Creating a basic vignette
- Controlling the viewer's attention through edits
- Solution: Controlling the viewer's attention through edits
- Editing a color image for a black and white conversion
- Solution: Editing a color image for a black and white conversion
- Addressing tone in color images
- Solution: Addressing tone in color images
- Understanding a simple mask that seems hard
- Solution: Understanding a simple mask that seems hard
- Using exposure layers
- Solution: Using exposure layers
- Exploring hand-painted highlights
- Solution: Exploring hand-painted highlights
- Getting the look of a silver print
- Solution: Getting the look of a silver print
- Making better masks
- Solution: Making better masks
- Handling transition zones
- Solution: Handling transition zones
- Exploring color practice
- Solution: Exploring color practice
- Making a localized white-balance adjustment
- Solution: Making a localized white-balance adjustment
- Exaggerating existing light
- Solution: Exaggerating existing light
- Practicing radical light repainting
- Solution: Practicing radical light repainting
- Making an image low contrast on purpose
- Solution: Making an image low contrast on purpose
- Realizing a subtle concept in an image
- Solution: Realizing a subtle concept in an image
- Interpreting an image on your own
- Solution: Interpreting an image on your own
- Improving on a boring image
- Solution: Improving on a boring image
- Goodbye
