Audio Mixing Master Class

Audio Mixing Master Class

• The Abbey Road reverb trick
• The Real NYC compression trick
• The secret to "punchy" drums
• Give your vocal an awesome airy sound
• Dr. Pepper 1176 setting
• Low-volume listening for a great mix balance
• The secret SSL buss compressor setting
• Using a short reverb for a massive sound
• Make your mixes hot and loud
• The Van Halen guitar sound trick
• Give your bass some low-end definition
• Make your vocal shine with a stereo delay
• Add some excitement to your boring pad tracks
• Make your programmed hi-hat come alive
• Get that old-school delay feedback
• Eliminate unwanted track noises like the pros
• Short reverb decay is your friend
• The 1176 British "nuke" setting
• The mono spring vocal surprise
• Put some "smack" in your snare
• "Space" for your keyboard tracks
• The secret to panning background vocals
• The “nail In the paddle” rock kick sound
• The Hank Marvin multihued delay trick
• Emphasizing the beat with a pumping rhythm guitar
• Simulating a tape delay
• Parallel compression for punch with dynamics
• How to get reverse reverb
• Tweak your track timing like the pros
• The biggest sound from the shortest delay
• The ultimate 80s guitar room sound
• Taming the picked bass
• The secret to gated drums
• The exploding snare trick
• The awesome double-effect trick
• The moving filter trick
• The terrific timed reverb trick
• Acoustic guitar peak limiter trick
• The Tommy Lee thunder drums trick
• The mono listening trick
• The pitchy vocal coveruo trick
• Tighten up releases
• The large and thick background vocal trick
• The legendary layered reverbs trick
• Bones Howe 1176 setting
• The big pad reverb trick
• Effective effects automation
• Eliminating clicks and pops
• EQing the mix buss
• The magic of mono reverb
• Adding presence with flanging
• Insanely big room sound
• EQ your vocal with multiband compression
• The Abbey Road double-track trick
• The secret Pultec bass setting
• Increase your background vocal energy
• EQing the perfect club kick
• Another exploding snare trick
• Perfect DI and mic'd bass phase
• Finding the Elton John piano sound
• Effecting the effects
• Panning outside the speakers
• The wisdom of dotted and triplet delays
• Increase your room mic presence
• The dbx 160 punchy drum setting
• Dual untimed vocal slaps
• Tuning the kick to the song
• De-essing the reverb
• Let's hear it for mid-side processing
• Dial in your low end with an RTA
• Add some air to that piano
• Lock the feel of the bass and kick
• Swept midrange guitar trick
• Hat pad trigger trick
• Big thump snare
• Single word delay
• Drum replacement
• Keyboard life
• Balance kick and bass
• Ducked reverb
• Autopanning
• Tame peaky acoustic guitar
• Snare ambience
• Pitchy vocal
• Snappy snare
• Super big reverb
• Spectral widening
• Clean overheads
• Argo vocals
• EMT short room
• Massive snare
• Compressed reverb
• Bass wide
• Vocal control
• Compressed guitars
• Snappy snare
• Dry vocals
• Bass trigger
• Hard snare
• Drum phase
• Floppy kick
• Rough mix
• Make your drums fills more dynamic
• The filter boost technique
• Add some sizzle to your snare
• That big wide guitar sound
• Hear every hat nuance
• Micropan for greater track separation
• Make those toms bombastic
• The power of the high-pass filter
• Add some ambience to your percussion
• Flat fader mixing
• Get control of your cymbals